What radio show would Orson Welles do about this election?

On October 30, 1938, millions of Americans had their dinner and sat down to listen to the radio.  It turned out to be a rather unusual Halloween night:

Sunday evening in 1938 was prime-time in the golden age of radio, and millions of Americans had their radios turned on. But most of these Americans were listening to ventriloquist Edgar Bergen and his dummy “Charlie McCarthy” on NBC and only turned to CBS at 8:12 p.m. after the comedy sketch ended and a little-known singer went on. By then, the story of the Martian invasion was well underway.

Welles introduced his radio play with a spoken introduction, followed by an announcer reading a weather report. Then, seemingly abandoning the storyline, the announcer took listeners to “the Meridian Room in the Hotel Park Plaza in downtown New York, where you will be entertained by the music of Ramon Raquello and his orchestra.” ...  An announcer broke in to report that “Professor Farrell of the Mount Jenning Observatory” had detected explosions on the planet Mars. Then the dance music came back on, followed by another interruption in which listeners were informed that a large meteor had crashed into a farmer’s field in Grovers Mills, New Jersey.

Soon, an announcer was at the crash site describing a Martian emerging from a large metallic cylinder. “Good heavens,” he declared, “something’s wriggling out of the shadow like a gray snake. Now here’s another and another one and another one. They look like tentacles to me … I can see the thing’s body now. It’s large, large as a bear. It glistens like wet leather." But that face, it… it … ladies and gentlemen, it’s indescribable..."

The Martians mounted walking war machines and fired “heat-ray” weapons at the puny humans gathered around the crash site. They annihilated a force of 7,000 National Guardsman, and after being attacked by artillery and bombers the Martians released a poisonous gas into the air. Soon “Martian cylinders” landed in Chicago and St. Louis. The radio play was extremely realistic, with Welles employing sophisticated sound effects and his actors doing an excellent job portraying terrified announcers and other characters.

They say that a million people fell for it.

Maybe a 2016 version of Orson Welles could do a radio show about a presidential candidate who used a private server as secretary of state.  Then he can tell us about the lady's assistant, who is married to a rather bizarre fellow addicted to sending strange texts to young women.

And the climax of the story is when the FBI discovers that the bizarre fellow had classified information in his laptop. 

Wonder if any radio producer would buy that story!  My guess is that that they would reject it on the grounds that they don't think any candidate for president would be that stupid.

Orson, where are you when we need you?

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