PBS Newshour and the art of Obama propaganda
Under the unintentionally funny heading, "Fights for the Arts" PBS's NewsHour states:
That's right. A left-first producer "has given up the bright lights" for you, according to PBS.
Why? Obviously because he is a sacrificial saint. In reality, Landesman was a Broadway Bolshevik before he became a Washington bureaucrat, and I wonder if working-class Americans associate his wage with sacrifice. Or even bureaucracy with great art.
Yet, PBS's Jeffrey Brown pontificates:
But why does Brown paint the NEA as a "frequent target of conservatives" when in reality conservative America is a frequent target of NEA atheists?
Who needs government-first artists to "foster and bring the arts to all Americans," when American artists were leading the world, without the federal agency, prior to 1965? (The Dutch Renaissance flourished because an NEA-like bureaucracy didn't strangle it.) And what to do with people who don't want a federal agency to "bring the arts" to their doorsteps? Or to make a further point about elitism, who says Americans were artless before the NEA?
The city-centric classes tend to sneer at all things provincial. Brown, however, only gently touches on then dusts off this kind of snobbery:
"I don't know if there's a theater in Peoria," he said in an interview, "but I would bet that it's not as good as Steppenwolf or the Goodman," referring to top Chicago companies.
That didn't play well in Peoria, but, recently, Landesman paid a visit, answered questions, and made amends.
But who - besides PBS's Brown, I mean - believes he "made amends"? Continuing with the government-first-bureaucrat-as-victim narrative the new chair is already claiming he needs more money:
So, when Landesman sees "writer" Obama, he sees more moneybags, just around the corner. And - my guess - he also sees the NEA as a victim, fighting the evil "Christian Right" while asking for more of the Christian Right's tax dollars. He sees art through Washington's eyes.
At the end of the propaganda piece presenter Gewn Ifill tellingly acknowledged: