Stranger than Fiction: Does 24 Inspire Real Life Torture?

Finnegan told the producers that "24," by suggesting that the U.S. government perpetrates myriad forms of torture, hurts the country's image internationally. Finnegan, who is a lawyer, has for a number of years taught a course on the laws of war to West Point seniors-cadets who would soon be commanders in the battlefields of Iraq and Afghanistan. He always tries, he said, to get his students to sort out not just what is legal but what is right. However, it had become increasingly hard to convince some cadets that America had to respect the rule of law and human rights, even when terrorists did not. One reason for the growing resistance, he suggested, was misperceptions spread by "24," which was exceptionally popular with his students. As he told me, "The kids see it, and say, ‘If torture is wrong, what about "24"?' " He continued, "The disturbing thing is that although torture may cause Jack Bauer some angst, it is always the patriotic thing to do..."

The third expert at the meeting was Tony Lagouranis, a former Army interrogator in the war in Iraq. He told the show's staff that DVDs of shows such as "24" circulate widely among soldiers stationed in Iraq. Lagouranis said to me, "People watch the shows, and then walk into the interrogation booths and do the same things they've just seen." He recalled that some men he had worked with in Iraq watched a television program in which a suspect was forced to hear tortured screams from a neighboring cell; the men later tried to persuade their Iraqi translator to act the part of a torture "victim," in a similar intimidation ploy. Lagouranis intervened: such scenarios constitute psychological torture.

Army doctrine gives interrogators 16 "approaches" to induce prisoners of war to divulge critical information. Sporting names like "Pride and Ego Down" and "Fear Up Harsh," these approaches aim to exploit a detainee's self-love, allegiance to or resentment of comrades, or sense of futility. Applied in the right combination, they will work on nearly everyone, the intelligence soldiers had learned in their training.

But the Kandahar prisoners were not playing by the army rule book. They divulged nothing. "Prisoners overcame the [traditional] model almost effortlessly," writes Chris Mackey in The Interrogators, his gripping account of his interrogation service in Afghanistan. The prisoners confounded their captors "not with clever cover stories but with simple refusal to cooperate. They offered lame stories, pretended not to remember even the most basic of details, and then waited for consequences that never really came."

Some of the al-Qaida fighters had received resistance training, which taught that Americans were strictly limited in how they could question prisoners. Failure to cooperate, the al-Qaida manuals revealed, carried no penalties and certainly no risk of torture-a sign, gloated the manuals, of American weakness.

The solution was to initiate a series of extraordinary mild "stress techniques" that didn't harm the prisoner but did put doubt in his mind that perhaps what he had heard about the Americans and their restraint wasn't true:

Many of the interrogators argued for a calibrated use of "stress techniques"-long interrogations that would cut into the detainees' sleep schedules, for example, or making a prisoner kneel or stand, or aggressive questioning that would put a detainee on edge.

Joe Martin-a crack interrogator who discovered that a top al-Qaida leader, whom Pakistan claimed to have in custody, was still at large and directing the Afghani resistance-explains the psychological effect of stress: "Let's say a detainee comes into the interrogation booth and he's had resistance training. He knows that I'm completely handcuffed and that I can't do anything to him. If I throw a temper tantrum, lift him onto his knees, and walk out, you can feel his uncertainty level rise dramatically. He's been told: ‘They won't physically touch you,' and now you have. The point is not to beat him up but to introduce the reality into his mind that he doesn't know where your limit is." Grabbing someone by the top of the collar has had a more profound effect on the outcome of questioning than any actual torture could have, Martin maintains. "The guy knows: You just broke your own rules, and that's scary. He might demand to talk to my supervisor. I'll respond: ‘There are no supervisors here,' and give him a maniacal smile.

Howard Gordon, who is the series' "show runner," or lead writer, told me that he concocts many of the torture scenes himself. "Honest to God, I'd call them improvisations in sadism," he said. Several copies of the C.I.A.'s 1963 KUBARK interrogation manual can be found at the "24" offices, but Gordon said that, "for the most part, our imaginations are the source. Sometimes these ideas are inspired by a scene's location or come from props-what's on the set." He explained that much of the horror is conjured by the viewer. "To see a scalpel and see it move below the frame of the screen is a lot scarier than watching the whole thing. When you get a camera moving fast, and someone screaming, it really works.

The "24" producers told the military and law-enforcement experts that they were careful not to glamorize torture; they noted that Bauer never enjoys inflicting pain, and that it had clearly exacted a psychological toll on the character. (As Gordon put it to me, "Jack is basically damned.") Finnegan and the others disagreed, pointing out that Bauer remains coolly rational after committing barbarous acts, including the decapitation of a state's witness with a hacksaw...

Although reports of abuses by U.S. troops in Iraq and Afghanistan and at Guantánamo Bay, Cuba, have angered much of the world, the response of Americans has been more tepid. Finnegan attributes the fact that "we are generally more comfortable and more accepting of this," in part, to the popularity of "24," which has a weekly audience of fifteen million viewers, and has reached millions more through DVD sales.